These points come from categories not normally associated with this player's position (e.g., a kicker who throws a touchdown pass, a running back who blocks a kick, etc. This player's Fantasy Point total includes points not displayed on your roster page. Click to view notes and other information. Player's ranking based on stat filter selected. Projection data provided by Yahoo Sports. from Ready to Die 'Gimme the Loot' (song), song by Russian rapper Big Baby Tape This disambiguation page lists articles associated with the title Gimme the Loot. So if you own an NFT describing Arachnid Person, you want to contribute to an environment where as many people want to include Arachnid Person in their works as possible so that Arachnid Person #1 becomes something worth owning.Week 17 stats may change if stat corrections are applied by Sunday, Jan 8. Gimme the Loot may refer to: Gimme the Loot (film), a 2012 American comedy film 'Gimme the Loot', song by The Notorious B.I.G. To be referenced is to be culturally relevant. Echoing the phrase “all press is good press”: any remix is a good remix. In a world of projects like Loot, you want to reinforce the value of the NFT you own - and that value reflects that NFT’s renown and reputation. That might sound crazy - isn’t the point to own it, and the point of owning it is to control how it’s used? They’d imagine their hero, illustrate them themselves, commission artists who could make them look cool, and eventually more technical folks in the community would do the heavy lifting to piece together tools that could generate art for characters in a common style, or customizable by some key parameters.Įventually people would commission crossover art, and then you’re only a step away from shared storylines (increase the value of multiple characters with a single commissioned piece!).ĭAOs, or decentralized groups who come together to create new projects in the crypto space or even "just” invest together, might buy up more popular characters and commission more elaborate visual stories with the aim of boosting the value of that underlying item containing a hero name + powers and any popular art works that they inspired.Īnd assuming the project’s originators went with the direction of the Loot zeitgeist, all of this would be IP that could be re-used and remixed by anyone. People would build tools that determine which powers are more rare, especially around ones that sound cool (“flight” is a gimme). People would mint those heroes and they would begin to trade on the open market. You’d release a contract to generate sets of superhero names and associated powers. Like dominoes: Stan Lee thinks of some new superhero (pitch: this guy’s not a hippy, he’s a weapon manufacturer industrialist!) -> 5 decades later, Avengers: Endgame and Black Panther warp the definition of blockbuster forever.īut what if someone wanted to create an MCU competitor as a community, instead of going head-to-head with Disney?Įxtrapolating from the last week of Loot… A few creatives at Marvel did high-leverage work on freelance or in-house basis, printers made a ton of copies, and a supply chain got those issues to comics shops and dime stores across the country. This all happened in a top-down, corporate, mass production context. People came to closely associate themselves with characters with kind of funny origins (bit by a radioactive spider!). Decades of perhaps hundreds of writers and artists getting paid to create fantastical stories for those characters that people would want to read and that would get them hooked to come back for the next issue. The seeds of awareness of these characters had been planted in the minds of the masses through decades of appearances in comics and TV leading up to their first appearances in blockbuster film. The Marvel Cinematic Universe started with Marvel Comics taking out a billion-dollar loan to finance the first four movies based on its iconic superhero characters.
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